HASYMO previously known under name Yellow Magic Orchestra (YMO) are an influential Japanese technopop band, formed in 1978. They are renowned as a major influence in Japanese popular music, and for pioneering the technopop music genre.
The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums and vocals) and Ryuichi Sakamoto (keyboards).
Formation & early years
The band was originally conceived as a one-off studio project by Hosono, the other two members bei...
Read more (749 words more)HASYMO previously known under name Yellow Magic Orchestra (YMO) are an influential Japanese technopop band, formed in 1978. They are renowned as a major influence in Japanese popular music, and for pioneering the technopop music genre.
The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums and vocals) and Ryuichi Sakamoto (keyboards).
Formation & early years
The band was originally conceived as a one-off studio project by Hosono, the other two members being recruited session musicians - the idea was to produce an album fusing orientalist exotica (of their cover version of Martin Denny's Firecracker) with modern electronics. However the first album (with its cutting-edge production) was very popular, and the studio project grew into a fully fledged touring band and career for its three members.
Sakamoto first worked with Hosono as a member of his live band in 1976, while Takahashi recruited Sakamoto to produce his debut solo recording in '77 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica flavoured album "Paraiso", followed by electronic material for the anthology collection "Pacific". Following the release of the debut "Yellow Magic Orchestra" a live date at the Roppongi Pit Inn was seen by executives of A&M Records of the USA who were in the process of setting up a partnership deal with Alfa Records. This led to the YMO being offered an international deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers.
Success and breakup
An advertising deal with Fuji Cassette and the group sparked off a boom in the popularity of electronic pop music (called "Technopop" in Japan) that had an impact similar to that of The Beatles and Merseybeat in 1960s Britain. A testament to the influence of YMO on fashion is how many middle aged Japanese businessmen still have the "Techno cut" haircut, modeled after the group.
Making abundant use of new synthesizers, samplers, sequencers and digital recording technology as it became available, their popularity and influence extended beyond Japan. Generally the band are highly regarded as pioneers of electronic music, and continue to be remixed and sampled by modern artists.
The band had stopped working as a group in 1984, after the release of their motion picture "Propaganda", the three members returning to their solo careers. The group were careful to avoid saying they had "split up", preferring to use the Japanese phrase meaning "spreading out", and in fact the trio continued to play on each other's recordings and made guest appearances at live shows. Takahashi, in particular, would play YMO material in his concerts and as "lead singer" was arguably best placed to do so. They released a one-off reunion album, Technodon, in 1993.
Post-breakup
The early 2000s saw Hosono & Takahashi reunited in a project called Sketch Show. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. He later proposed they rename the group Human Audio Sponge when he participates. Barcelona performance at Sonar festival and Wild Sketch Show DVDs chronicle these reunions, and include a tongue-in-cheek Japanese text only history of the group that spans to 2036.
The band have reunited in 2007 for an advertising campaign for Kirin Lager which lampooned their longevity and charted No.1 on various Japanese digital download charts (including iTunes Store chart) with the song "Rydeen 79/07", released on Sakamoto's new label commmons.
Recently performing live as Human Audio Sponge; Hosono, Sakamoto and Takahashi did a live performance together as Yellow Magic Orchestra for the Live Earth, Kyoto event on July 7 2007, which raised money and awareness of a "climate in crisis."
In August 2007, the band once again reformed, taking the name HASYMO, combining the names of Human Audio Sponge and Yellow Magic Orchestra. Their first single under this name, "Rescue", was written for the film Appleseed EX Machina. They released a new two song single titled "The City of Light/Tokyo Town Pages" on August 6th, 2008.
HASYMO played two live concerts in Europe in the summer of 2008, one at the Royal Festival Hall, London on 15 June, as part of the Meltdown festival of music curated by Massive Attack and another in Gijon, Spain on the 19th. Although the primary YMO members (Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto) are effectively known as HASYMO and played both these concerts, these concerts were billed simply as "YMO" but featured only 4 YMO songs in each concert while the rest of the concert featured Sketch Show, HASYMO music and member's solo works.
A cover of "Kimi ni Munekyun" was used as the ending theme song for the 2009 anime Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters. · close
Become true fan of Yellow Magic Orchestra to write a fan message
| Band name | Yellow Magic Orchestra |
| Band type | band (3 members) |
| Debut | 1978 (active) |
| Bookmark | Create account or login |